Well, maybe that isn’t such a good idea during a pandemic. But it is a lot of fun during healthier years. In fact, it’s more than fun. It touches a whole community so deeply with the beauty of the music, dance, costumes, and Shakespeare performance that it raises us to a new level of that experience we call the Christmas Spirit.
They set a memorable table, too.
Who ever thought that they were designing a super-spreader event when the first EMF was planned in 1988? Public health professionals might have known the term but it wasn’t in our vocabulary in Brazosport, Texas. In 2020. however, we know enough about coronavirus to know that those little devils would love the intimacy, the powerful vocal projections, and the intense rehearsals required to make the experience everything that it is. And food service, too? It couldn’t happen in July, 2020.
November? We await the Executive Committee’s timely decision.
How spoiled we are in the Brazosport area to have Brazosport Center Stages performing in the Center for the Arts and Sciences. The summer musicals are a tradition our community looks forward to each year. Families make their plans around them. In fact, sometimes entire families are involved in shows, on stage and backstage. Each show involves large numbers of volunteers, cast members of all ages, and an adoring community filling the house for most performances.
Sadly, there will be no summer musical in 2020. Evidence is accumulating that there is nothing quite like a group of energetic singers in a closed space to spread coronavirus. Center Stages generates a large portion of its income budget from the summer musical each year. And they, in turn, pass on a sizeable share to support Center operation and maintenance.
Peter Pan was the show planned for 2020. Maybe it will happen some other time but not this year. Another lesson in the things we take for granted.
Tonight is the 75th annual meeting of the membership of the community theater group now known as Brazosport Center Stages, located in Clute, TX. It began as the Little Theatre in Freeport and moved, along with a sister organization, Brazosport Music Theater, into the new Brazosport Center for the Arts and Sciences facility in 1976. Twenty years later, the two theater groups merged to form Brazosport Center Stages in 1996.
Brazosport Center Stages and I were both born in 1943. We only got to know each other after our family moved to Lake Jackson from Houston in 1982. Gradually over the years we became integral parts of each other’s lives.
I have an album of old proof sheets of film photos going back to the late 1980s when I first asked DeDe Dunn if she would allow me to take some rehearsal shots of “The Nerd.” She opened the door to me and the theater folks have always since welcomed me with my camera and I have been able to store up a lot of memories over the years of our relationship.
I love theater photography. Other people take care of lighting, posing, hair, makeup, costuming, movement and all I have to do is hit the shutter button. And – surprise! – actors almost never mind standing in the light and having their picture taken. After years of having subjects turn their backs to my camera and never apologizing (mostly my children), I now had a source of interesting and enthusiastic subjects. In all the years of photographing actors at BCS I have had exactly one get angry and tell me to get the camera out of her face. She was older then than I am now. She was entitled.
You can spend as much time as you would like viewing some of the later digital files on my Flickr site. There are thousands of theater shots. I am an amateur photographer and I have learned a few things over those years. I have also spent a little on cameras, lenses and software. I hope there is some improvement in the photos as a result of my learning and investment.
But BCS has meant so much more than a place to practice my photography avocation. I have even ventured onto the stage in a few roles over the years. I had the privilege of presenting the role of FDR, I hope with some dignity, in this Republican bastion in Annie, 2001. Then I was the somewhat shy racist, Karl Lindner, in Raisin in the Sun somewhere in the 2000s. Then I had the experience as a septuagenarian of taking a role with a large number of lines in Camping with Henry and Tom, 2013. I felt absolute terror at every performance knowing that so many of my friends were watching. I had never even heard of flop sweat before and suddenly I was producing it in buckets. The difficulty of trying to remember and say all of Thomas Edison’s many lines in that play cured me of further attempts at acting.
Yet, for all the joy I have taken from Brazosport Center Stages, I really value it most for what it contributes to our community. I have watched generations of young people move through their own activities and then out into our nation and the world to apply the things they learned about planning, communication, teamwork and how to respect themselves and others. At an early age, they were able to have friends who were adults and share peer responsibilities with them. I have seen it in my own kids and I have seen what a valuable experience theater was in their lives.
So, happy birthday Brazosport Center Stages and many happy returns. What you add to the education of our young people – and old people for that matter – makes all of us a little more civilized, reasonable and loving. I am looking forward to celebrating with you tonight and some of the friends we have shared over the last 35 years. You are a treasure in all our lives.
Brazosport Center Stages opened Arsenic and Old Lace last night in the Dow Arena Theater. To be sure, it’s an old play and every community theater has offered it several times in the time most people spend in a single community. But these are days of mobility and rootlessness. Things like “A&OL” given to you by friends of such superb talent is a gift that is settling to the soul.
Wes Copeland, who doubles as executive director of the Brazosport Center for the Arts and Sciences, assembled and directed a cast of experienced players who share a love of theater, a lot of talent, a joy in giving it to their friends, and . . . well, that’s about it. Beyond those qualities held in common, they represent the spectrum of businesses, trades and professions that make up a village like ours.
In addition to the wonderful performances by Aunt Abby and Aunt Martha, you will be able to see the results of Dr. Einstein’s somewhat sub-standard plastic surgery and you can follow the political and engineering exploits of the brother who thinks he is Teddy Roosevelt. Don’t miss it.
Jonathan Brewster and the result of the plastic surgeries performed by Dr. Herman Einstein. Don’t tell him he reminds you of someone you’ve seen in a movie.
Teddy Brewster – off to finish the Panama Canal
Reservations are available for performances Thursday, Friday and Saturday nights and Sunday afternoons through May 5 at this link. Laughter is very necessary to your health and well-being. Works better than elderberry wine.
More photos from the dress rehearsal may be viewed on the Flickr site. If you buy a ticket you will see completed costumes, makeup and set.
Some friends asked me if I would take a few pictures of their son during his senior year at Brazoswood. (If you looked in here around the middle of March, his photos were running on the sidebar from my Flickr site postings.)
Graydon Hill pitched for the Brazoswood High School Bucs until this summer when his doc pulled him and sent him to the showers. A medical condition eliminated pitching from the things he would be able to do during his senior year. Doc said he could still bat, run bases and play at first base occasionally.
So I went around town Wednesday with Graydon and his parents to take some shots. It was a cloudy, muggy day, the only time he had available due to tournament play and work during his spring break. I enjoyed taking pictures and he tolerated it pretty well. He gave me some great photos and I did my best to catch them.
Graydon was expected to be one of his team’s starting pitchers this year. But disappointment is a temporary condition when you are as able with the bat as he is. The role of DH seems to suit him well. The day after our photo shoot he was 3 for 4 with three RBIs. In one day he surpassed my lifetime stats in Jacinto City teen play.
Graydon had no intention of making a career of his beloved game. Sorry, Astros. He has been accepted into Texas A&M’s very competitive engineering program. So, no more Aggie jokes. They were smart enough to pull this kid in. They are doing a lot more than playing football and cultivating maroon veggies for H.E.B.
Graydon is one of our graduating seniors at Chapelwood this year. I understand that he has also graciously accepted the job of unofficial team chaplain. He must be doing a good job. They won their Thursday game 18-4.
So, you ask, what happened to my old favorite player? She graduated and went to University of South Carolina to play softball with the rest of the best. The two of them, Anna and Graydon, give me hope for the world we live in at a time when hopeful signs seem hard to come by.
The Flickr feed in this chronicle’s righthand column has been revealing photos from rehearsals and performances of the Brazosport Fine Arts Council’s Elizabethan Madrigal Feast, 2018.
Once again, area talent has gathered in The Center to slip a Shakespeare comedy by an audience that may have been expecting something a little more tinsel-themed and Toyland oriented. Sorry, there is way too much talent around to waste it on the ordinary fluff of a commercial Santa Land production. This is an assembly of talented singers, dancers, instrumentalists, actors, artistic designers, foodies, theater techies and costumers who muster and present a big city show with Broadway brilliance in the beautiful little chemical burg of Clute, Texas.
It’s one of those little Texas secrets — like where to get the best barbecue or hear the best live country music— that you hope Texas Monthly doesn’t discover any time too soon so that you will still be able to get tickets.
That’s not really true. There are mixed feeling about the event becoming well known, but to be honest, we need people from around the state to start coming into Clute to experience the Feast first hand. The financial well being of the Center for the Arts and Sciences would benefit greatly from a statewide reputation that would appeal to foundations and other donors able to offer large gifts.
And, while we are at it, why not raise the ticket price, too, to make the cost align more correctly with the quality of the production? I contend that it would be a $200 ticket (drinks, tips and coat check not included) in a major urban center. It would probably run higher than that in NYC where people expect to pay the performers they wish to keep in town. Bottom line, The Center needs revenue to maintain and expand facilities for its program of education and entertainment in the arts and sciences.
The place is bustin’ at the seams, well-used and scheduled to the hilt. The lines for restrooms during the EMF intermission pretty well illustrated the need.
There are four more performances as I write this. Reservations are available at the Center box office web site.
Hurry and get your reservations. There is no better way to say “Welcome Yule”.