If you were coming of age in the Fifties and Sixties, the music you heard every day on the radio still lives in your head. “Yakety Yak,” “Searchin’,” “Charlie Brown,” “There Goes My Baby,” “Spanish Harlem,” “Hound Dog” – to name a very few – are songs that never go away. But do you have any idea who wrote them? Probably not.
Brazosport Center Stages opens “Smokey Joe’s Cafe” tonight in the Freeport LNG venue, aka, the large theater. Directed by Jean Warren, it is really more of a musical revue than a play. It consists entirely of songs written by Jerry Leiber and Mike Stoller performed by excellent musicians from our area. Just a few of the singers you will hear are Elon Coates, Lizzy Conger, Amber Crawford, Jacob Aguilar, Cameron Losoya, Mason Rod, Chayton Herbst, Maurice Williams, and some new folks whose names I can’t recall to tell you right now. But they are all good. (Send me a tip if you identify them in the photo below.) More photos are posted to the Flickr site here.
Lest you think this is a show for old timers, I can tell you that when I finished shooting photos of the invited dress rehearsal last night, I spotted some high schoolers on the third row and I asked a young man if he knew someone in the cast.
“No but I love this music,” he said.
“A gift to you from my generation,” I said.
“Wow. Thanks,” he said.
“Fee, fee, fi, fi, fo, fo, FUM, I smell smoke in the audi-tor-i-UM … ” I said.
It’s a great show. Come out, listen, and re-live to the birth of rock and roll – back when you could make out the words in the songs.
Maybe you can even learn how to shimmy.
Reservations available online at The Center web site. The remaining shows:
Saturday, Feb 2 at 7:30 p.m. and Sunday, Feb 3 at 2:30 p.m.
Friday, Feb 8 and Saturday, Feb 9 at 7:30 p.m. and Sunday, Feb 10 at 2:30 p.m.
Don Sanders, songwriter and singer, died Saturday from the combined effects of frontotemporal dementia accompanied by ALS, a very cruel combination in the Alzheimer family of disorders. It was a final irony on his career that his death was big news in the Houston Chronicle, a paper that had paid him little attention during his most productive years.
I met Don Sanders just after enrolling at the University of Houston in 1961. Don came there from Jones High School in Houston. I arrived from Galena Park.
We had both been accepted into the Interdisciplinary Honors Program, the forerunner of today’s Honors College. We had several classes together each our first two years and a weekly colloquium in the junior and senior years.
Don was a sharp kid. He had an acerbic wit and a green corduroy suit that he wore almost every day of our freshman year or, who knows, he may have owned several. But I doubt it. He didn’t come from the kind of family where the kids had more than one suit. The suit was in the style of his heroes the Kingston Trio.
Don played guitar and banjo and sang folk songs that were beginning to pick up in popularity in the early sixties. We learned from Don about hootenannies, the Limeliters, Woody Guthrie, Pete Seeger, Lead Belly and Joan Baez. As Don became an accomplished musician, he sang with beautiful control and a great range. Early on, he was always high pitched and his voice could be irritating at first. The beauty and finesse of his vocal performances I heard thirty years later were shocking to me at first.
But Don was so much more than a folk singer. He wrote songs, performed on stage, did comedy, wrote a novel or two (never published as far as I know), performed for children, and wrote probably tons of poems. Apparently, even more than those things, he inspired other people to do their best work. Some of them are names you probably know very well. He was a regular at Houston’s Anderson Fair and on KPFT.
I wasn’t in touch with Don after college. His music scene was not one that I fit into and I was busy with the kind of boring white collar jobs he was intent on avoiding. His astonishing career is fairly well covered in the Houston Chronicle article. There is also an interview in the Houston folk music oral history archive.
Don and I were in touch again after Hurricane Ike in 2009 when he performed at the Grand 1894 Opera House in Galveston as a benefit to help rebuild the facility that had been severely damaged in the storm. In 2012 he asked if I could help him with some memories from our college years for the personal memoir he was writing. I wondered whether it would still seem like a friendship after all those years pursuing our very different lives. But we found a lot of joy in our conversation that day, July 1, 2012.
As it turned out, there wasn’t much I could offer to fill in the cracks in such a creative life as his. We reminisced about the day in November 1963 when we went to his house near the runways of Hobby Airport (it was Houston International then) to see if we could see John Kennedy on his arrival in Texas. There were several of us from University of Houston and we did, indeed, get to see the president and first lady, two days before he was killed in Dallas.
Three or four of us stayed over at Don’s house that night. His mother made breakfast for us and as we prepared to make our way back to our morning classes at UH, Don called out, “Charles, Tom: come and see these guys. I have never seen anything like this. They are going to be big.” So we rushed in to see the image of the Beatles performing on tape on the Dave Garroway Show. You could have fooled me. Although I became accustomed to and learned to love the Beatles later, I really didn’t get what was so special then. But Don had the ear for it. This was several months before they appeared on the Ed Sullivan Show and took America by a storm.
My regret today is that I did not pay more attention to an old friend as he struggled to make it in the music world. He apparently inspired others and they did the things they had to do to have fame. But Don wanted something else. He wanted peace: peace in the world and peace in his own life. Staying in Houston was his gift to America’s new great city.
Don came back to visit Lake Jackson again in the summer of 2013 when I invited him to see our Brazosport Center Stages production of Les Misérables. He had kind things to say about our local production.
I went to see Don at his home in the Heights a few weeks ago. By then, his disease had greatly diminished his ability to communicate. We spoke a few short minutes and he told me had to go somewhere which was highly unlikely. I held his hand and told him I would try to return when he had more time to talk. But I knew he was uncomfortable with the visit and I really doubted I would be returning.
Sunday morning, I received the email announcing his passing.