Transforming the Arts in Brazosport: A Community Call to Action

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Open Mic Night at the School Board: I Play the Gray Card

Inspired by Michael Morris’s September 8 column in The Facts, I called the school district office and got on the list to offer public comment at the start of the September board meeting. I am not an open mic kind of person, but Mr. Morris reminded me of the importance, in a democracy, of speaking up when you have a reasonable opinion about how things should go in your community’s life.

As the day approached I thought about the possibility that the Justice for J-6 crowd may well be preparing to flood the board room with bikers recruited from Sturgis, South Dakota to chain whip anyone daring to appear at the meeting masked against “the Chinese virus“. At a minimum I thought I ought to choose my words carefully and write them down to keep myself on script.

So I wrote about two and a half minutes of my thoughts in which I appealed to my status as an elder in the community. Maybe they would’t beat up an old man wearing glasses, leaning on a cane, and talking about the olden days.

Speaking Up and Speaking Out – For Children and Teachers

Michael Morris of The Facts gave excellent and important advice in his column this morning. I took the challenge and got on the public agenda for the September meeting of my local school board trustees’ meeting. I hope other of his readers will do the same.

As someone who came of age in another century, I can remember when public health was treated as a legitimate and very important medical specialty. Polio, smallpox, chicken pox, measles and many more have been controlled through the advancement of science and medical practice. We learned to trust the advice of the professionals. And maybe even more important, we had teachers in public schools who taught us how to recognize the difference between the advice offered by public health professionals and that of snake oil salesmen.

Just remember that the same people who are telling you that masks and vaccines are the work of the devil are the same ones telling you that ivermectin works and will keep you safe from Covid-19. Not all of the people who listened to them are still with us. May they rest in peace in the arms of their understanding, if not greatly disappointed, God.

Instead, believe the people who went to medical school and completed the really hard science courses and medical practice internships and residencies. They know what they are talking about and they don’t do satanic rituals when you aren’t looking.

Brazosport Center Stages: “An Iliad” opens March 19 in The Glen at Brazosport College

Monday night I watched the invited dress rehearsal of An Iliad, a solo play about war and the toxin of rage which lives so near the surface in humanity. If you are like me, your exposure to the classics of Greek literature is very limited. This is a re-telling of Homer’s great epic poem about the Trojan War. The play’s authors, Lisa Peterson and Denis O’Hare, have done a nice job of putting the action into modern language and making it relevant to the warring world we have lived in, yes, ever since the Trojan War.

As a solo performer script, it requires an outstanding actor. Monday night I was able to see Wes Copeland in the role of The Poet. Brazosport Center Stages presents the play with three such outstanding actors taking turns in the role of The Poet. (When you go to buy your tickets, you can choose your own Poet, either Wes Copeland, Bobby Britton, Jr. or Jeremy Todd. I have seen all of them perform in BCS productions and they are all excellent.

Here are a couple of shots I took at the dress rehearsal of Mr. Copeland performing.

Wes Copeland rehearsing a dramatic re-telling of The Iliad. He performs the role opening night, Friday, March 19.

This is no dry recitation of the epic poem you tried to dodge reading in college. The driving theme here is that humankind never learns the great cost and sorrow of war. At one point in this telling, The Poet runs through a list of all the wars since the Trojan War, all with the same burden of tragedy and and senseless loss. In the script, the list runs four full pages. A friend said, “I kept thinking he would get to the wars of our time. But he just kept citing more wars.” That in itself gives the audience a staggering moment of realization of the persistence of rage and violence in the human heart.

These three fine actors, Copeland, Britton and Todd, learned 56 pages of difficult and emotional script including a few lines in Greek as The Poet goes back to his roots. That in itself is quite a challenge, but what they do with it is one of those little miracles that happens in live theater – you learn a little more about who you are, what humanity is, and how we manage to live together – or not.

The actors are accompanied on stage by a muse, a solo guitarist, who has no lines but who does share a haunting accompaniment with the audience and a drink with The Poet. I would give you the Muse’s name if I knew it. Maybe I will learn it and update this piece when I get my own copy of the program on opening night. (His name is Jonathan Peachey. See Connie’s comment below.)

Get your tickets now. Six performances, weather permitting, outdoors in The Glen at Brazosport College. Masks, social distancing, and outdoor venue make theater possible in the Age of Pandemic. Please come prepared to comply with the simple rules meant to get us to The Other Side.

Getting Some Friends Together to Dress Up and Pretend You’re Having Dinner with the Queen

Well, maybe that isn’t such a good idea during a pandemic. But it is a lot of fun during healthier years. In fact, it’s more than fun. It touches a whole community so deeply with the beauty of the music, dance, costumes, and Shakespeare performance that it raises us to a new level of that experience we call the Christmas Spirit.

They set a memorable table, too.

Who ever thought that they were designing a super-spreader event when the first EMF was planned in 1988? Public health professionals might have known the term but it wasn’t in our vocabulary in Brazosport, Texas. In 2020. however, we know enough about coronavirus to know that those little devils would love the intimacy, the powerful vocal projections, and the intense rehearsals required to make the experience everything that it is. And food service, too? It couldn’t happen in July, 2020.

November? We await the Executive Committee’s timely decision.

Things We Took for Granted: Big Summer Musicals

The Music Man cast raises The Center roof during a performance in July, 2018.

How spoiled we are in the Brazosport area to have Brazosport Center Stages performing in the Center for the Arts and Sciences. The summer musicals are a tradition our community looks forward to each year. Families make their plans around them. In fact, sometimes entire families are involved in shows, on stage and backstage. Each show involves large numbers of volunteers, cast members of all ages, and an adoring community filling the house for most performances.

The Music Man, Shrek, Mary Poppins, Fiddler on the Roof, Bye Bye Birdie, Les Misėrables, Annie, 1776, Oliver and many more have been staged and many memories given to the community and the cast. If you have seen one of those shows, you have seen young people who went on to careers in performing arts.

Sadly, there will be no summer musical in 2020. Evidence is accumulating that there is nothing quite like a group of energetic singers in a closed space to spread coronavirus. Center Stages generates a large portion of its income budget from the summer musical each year. And they, in turn, pass on a sizeable share to support Center operation and maintenance.

Peter Pan was the show planned for 2020. Maybe it will happen some other time but not this year. Another lesson in the things we take for granted.