Life in Lake Jackson, Texas viewed and photographed by one citizen who spends his time with Methodists and Democrats mostly
Author: Lake Jackson Citizen
I volunteer as a photographer for our local community theater. I have opinions about politics and believe it should be every American's duty to become informed and participate in the discussion of issues. I began this blog to be able to stay in touch in ways I used to on Facebook. I deleted that account recently and hope to be able to share photographs and information relating to cultural and political events in our community. I am retired after a career in social work and post-secondary education.
Why stop at two articles of impeachment? The president is addicted to superlatives. He could be the president remembered for the MOST (caps, of course) documented and prosecuted impeachable offenses in a truncated term in office.
He would take that as the equivalent of a reality television Oscar. Maybe Speaker Pelosi could hand him a statuette of Oscar (the Grouch) along with a six volume condensed set of impeachment resolutions. He would be so thrilled that he would start planning his presidential library with some books that, having lived them, he could not be criticized for failing to read.
Late November in one of my happiest years: we wrapped ourselves in the soft thrill of friendship not knowing how rare it was and how hollow - for lack of it - would be the days and years ahead.
Chattering with the sophistication of underclassmen we crossed a vacant city lot grown over with weeds, toward the road that exited the airport. The young president and his wife had landed and would pass here on their way to speak in Houston. His red hair flamed in the late afternoon Texas sunlight.
He waved and each of us stored the memory of an instant as the car sped by, the woman at his side, his shining hair, the slightest wave of his hand, the memory – a still photograph in each of our minds.
In less than a day, he was dead; hit by two rifle shots. His wife was returning, spattered with his blood to the emptiest of homes, the White House. Another memory – but this one with the remove of miles and overwritten with the static snow from our early technology television sets.
Those same sets had been on that morning before he died as we searched to see if there would be news of his visit. Maybe a camera had caught us as well and our friends would see us so close to history. Instead, we saw four floppy-haired singers from Britain who were planning a visit to America.
A few hours later, there was only the news that the man on whom we had hung our hopes was dead.
Friendships that we thought were the most precious gifts in our lives that day, faded with the years. Each of us had lives to live, purpose and gifts to give.
The floppy-haired Brits gave us the happy crutch we needed to weather war and loss, and, not least, the death of that soft thrill of friendship we still had heart to feel on November 21, 1963.
I have heard enough of the posturing and positioning on impeachment. I don’t care if there are not enough votes to convict in the Senate. I don’t care if it infuriates the so-called base. (No one cared about my feelings when they impeached President Clinton.) I don’t care about the Democrats from marginal districts who will be called on to campaign harder and argue more passionately for what is right. Will an acquittal be taken as exoneration and inspire even more abuses of power?
It is always so easy to rationalize the lack of courage.
Making the case for impeachment should be quite simple. We see it every day. DJT has no respect for the Constitution. His oath of office is treated as if it were sworn on a copy of “The Art of the Deal”. He flouts congressional inquiries and even the laws passed by Congress and signed into law by the office he holds (usually President Obama for whom he holds a very personal grudge).
So, it’s time to get on with it, Speaker Pelosi. Put the likes of Ted Cruz and John Cornyn on the spot and see if they will, in the last analysis, do the right thing. If not, allow them to align their party for the next century with the toxic ethical swamp that DJT represents.
Brazosport Center Stages opened “The Miracle Worker” last weekend in the Freeport LNG Theater at the Brazosport Center for the Arts and Sciences. As often happens with community theater productions, the cast took this one down to final rehearsals making bystanders like myself think there was no way this offering could gel, And, yet, as often happens in community theater, it did.
“The Miracle Worker” presents the story of Helen Keller and Annie Sullivan. Helen became blind and deaf due to an illness during her infancy. Her mother remembered only one word that Helen attempted to say before she was stricken — water, or as her mother Katie Keller reported it in the play’s script, waawa.
With only primitive ability to communicate, Helen was an angry and often violent child. Her loving family did not know how to deal with her except to indulge her demands. Her behavior became an onerous burden to the lives of the Kellers, so much so, that they hired a governess to work with her when Helen was seven.
The governess was Anne Sullivan. Their story is well known, especially since the 1962 film with Ann Bancroft and Patty Duke. You can still see the local production this weekend (September 20-21).
Over to the right, at this time, you will see some photos from the invited dress rehearsal. I saw the play opening night and I can tell you that you will be rewarded with performances by some impressive new young talent and also by some of your favorite BCS veterans. More photos follow below.
Today is my birthday. I have been fortunate to accompany aging with a way of staying in touch with young people. It has been a nice way to temper my anger and disappointment about the current state of American politics with a little hope for the future. I would prefer to be able to do this with regular discussions with grandchildren the way it was done when the generations were less geographically mobile.
My grandchildren, all of them, now live over a thousand — some of
them two thousand — miles from us. Their periodic visits offer only limited
opportunity to have the kind of conversations that would allow me to explore
the world from their vantage point.
If I were to sit here in the evenings getting only the news from
Washington and other parts of the deteriorating world, I would be constantly
moving between depression and anger. How did our generation let this happen?
We allowed the democratic process to be manipulated in such a way
that a person with no knowledge or appreciation of how our government works
wound up in its most powerful position. He is objectively racist in his core,
selfish and self-centered to a nauseating degree, unlearned in the basic
literature of democratic enlightenment, and incompetent in the skills of
governing. All that has been well covered in the news for anyone who is willing
to dig a little and read beyond the superficialities of cable TV, social media,
and the National Enquirer.
Tonight is the 75th annual meeting of the membership of the community theater group now known as Brazosport Center Stages, located in Clute, TX. It began as the Little Theatre in Freeport and moved, along with a sister organization, Brazosport Music Theater, into the new Brazosport Center for the Arts and Sciences facility in 1976. Twenty years later, the two theater groups merged to form Brazosport Center Stages in 1996.
Brazosport Center Stages and I were both born in 1943. We only got to know each other after our family moved to Lake Jackson from Houston in 1982. Gradually over the years we became integral parts of each other’s lives.
I have an album of old proof sheets of film photos going back to the late 1980s when I first asked DeDe Dunn if she would allow me to take some rehearsal shots of “The Nerd.” She opened the door to me and the theater folks have always since welcomed me with my camera and I have been able to store up a lot of memories over the years of our relationship.
I love theater photography. Other people take care of lighting, posing, hair, makeup, costuming, movement and all I have to do is hit the shutter button. And – surprise! – actors almost never mind standing in the light and having their picture taken. After years of having subjects turn their backs to my camera and never apologizing (mostly my children), I now had a source of interesting and enthusiastic subjects. In all the years of photographing actors at BCS I have had exactly one get angry and tell me to get the camera out of her face. She was older then than I am now. She was entitled.
You can spend as much time as you would like viewing some of the later digital files on my Flickr site. There are thousands of theater shots. I am an amateur photographer and I have learned a few things over those years. I have also spent a little on cameras, lenses and software. I hope there is some improvement in the photos as a result of my learning and investment.
But BCS has meant so much more than a place to practice my photography avocation. I have even ventured onto the stage in a few roles over the years. I had the privilege of presenting the role of FDR, I hope with some dignity, in this Republican bastion in Annie, 2001. Then I was the somewhat shy racist, Karl Lindner, in Raisin in the Sun somewhere in the 2000s. Then I had the experience as a septuagenarian of taking a role with a large number of lines in Camping with Henry and Tom, 2013. I felt absolute terror at every performance knowing that so many of my friends were watching. I had never even heard of flop sweat before and suddenly I was producing it in buckets. The difficulty of trying to remember and say all of Thomas Edison’s many lines in that play cured me of further attempts at acting.
Yet, for all the joy I have taken from Brazosport Center Stages, I really value it most for what it contributes to our community. I have watched generations of young people move through their own activities and then out into our nation and the world to apply the things they learned about planning, communication, teamwork and how to respect themselves and others. At an early age, they were able to have friends who were adults and share peer responsibilities with them. I have seen it in my own kids and I have seen what a valuable experience theater was in their lives.
So, happy birthday Brazosport Center Stages and many happy returns. What you add to the education of our young people – and old people for that matter – makes all of us a little more civilized, reasonable and loving. I am looking forward to celebrating with you tonight and some of the friends we have shared over the last 35 years. You are a treasure in all our lives.